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Thursday, 04 March 2010 13:58 |
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There was a time when pop artists wouldn’t have dreamed of touching rap, and vice-versa, but over the last two decades the lines between r&b, hip-hop and pop have become so blurred these differentiations have become almost meaningless. I like to call the brand of female-friendly, easily consumed and undeniably entertaining music currently dominating the airwaves hip-pop, but whatever label you want to affix to the sugary sweet music, it’s safe to say rising star Jason … |
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Wednesday, 03 March 2010 18:21 |
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We all have “that friend.” Every time there’s a party he gets way too drunk, ends up saying something hilariously inappropriate and usually gets slapped. Before you introduce someone to that friend for the first time, you have to preface it with, “Listen, he’s actually a really good guy, but sometimes…” When that friend first started showing up to parties (uninvited) his antics were aggravating, but as time passed, honestly, you kind of ended up liking … |
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Thursday, 25 February 2010 14:57 |
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If the legendary Kool Herc listened to B. Dolan’s new album Fallen House, Sunken City, I doubt he’d recognize it as the music that he pioneered; and that’s a good thing. Because its essential component is the taking of the old and creating of the new, of combining existing elements to create songs that simultaneously reach into the past and stretch into the future, more than any other music hip-hop is the music of the modern … |
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Tuesday, 23 February 2010 19:33 |
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There’s no way to truly understand El Prez’ new mixalbum Animal Style! without understanding Southern California, and in particular, In-N-Out. So for all my unfortunate souls with snow-packed sidewalks awaiting you outside, let’s quickly review. At first glance In-N-Out is a chain of burger places with a retro-50s vibe and a minimal menu: fries, shakes, cheeseburger and a double cheeseburger. That’s it. Always. Menu never changes. But locals, well, the locals know about the secret menu. … |
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Friday, 19 February 2010 03:20 |
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In 2008 the U.S. economy fell apart like Amy Winehoue’s career, went down quicker than a groupie, crashed harder than a couple Korean speedskaters. Faced with such a desperate situation, Congress voted to inject the lifeless economy with $31 trillion, hoping to bring America’s cash flow back to life. Already struggling, the music industry was almost crippled by the recession. Even the best artists struggled to move units, a struggle that was made even harder by … |
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